
Early results of his music were horrible but he just kept going because music seemed to be so much fun with the computer. After a while he understood more and more of what he was doing there and ended up writing quite agreeable music. It fairly much continued with the Amiga and the PC from there.  He got into the demoscene via his pal Diddle who used to be a demo-swapper at these days and who is also known by many of us.
At least I was also swapping with him as far as I remmeber ;)
 
Jester only knew demos from watching them at the time. He was really into demos and so he was excited to join his first Amiga group called Treacl, they invited him to join after Diddl sent some of Jesterīt mods to them. He contribute to their demos (even though they were pretty bad as Jester says). Later on he left them for Proton, then stayed (inactively) with Red Sector for a short while to then joins Sanity in November 1990, that group which most of us connect with him. Beside the join to Sanity he also started building up a homestudio with synthes, mixer, effects and other gear. Some nice releases followed aswell as Jesterīs first musicdisk called "Fool's Gold" in March 1991. 

Something which many may not know - most of the Sanity membres build a section of Rebels for a while before they rebuild Sanity in 1992, so Jester did it it too. Back in Sanity in 1992 Jester was the name for synth music in the scene and THE musician of the group, his music was used in the most important and well known productions of his group.

Seperateley to his scene activities he produced synth-pop music in the vein of New Order and Pet Shop Boys together with a singer under the handle "Minimal Art" from 1990 to 1993. Till then his favourite musicians of the scene at that time was Heatbeat for his individual style and his fine craft, Romeo Knight for his production skills and for breaking new ground, Bruno for his funkiness and humour and Moby for his rock and his roll.
